Within a present social construction which often feels dystopic, theater is a way to stay disciplined into working intuitively; to create with speculative impulse and tolerate not knowing.
Theater can be the space for embodied knowledge to emerge; where primary experience, often beyond what is conscious, rational and structured, is allowed.
Triggered from my need to find ways to keep educating myself, beyond what I am leant to learn, I investigate ways to disrupt automated and habituals ways of moving, relating, existing. In the concept that plurality and diversity in groups who co-exist and create together, bring upon enlightening input on how an individual sees the world and positions within it, I often initiate and coordinate community-based projects, merging artistic and social practices.
Transforming my -almost- addiction to change lenses through which I see the world (that is: living for long and integrating into different societies of the world, with often ‘contradictory’ cultures) to delving into the Other, as a whole cosmos by itself. Systematically, acknowledging different modes of being; bridging with and embracing otherness, as fearlessly as possible, by building matrixes of co-creating and co-imagining.
Staying curious.
And human.